Bature-Uzor, Nkechi A. “Mise-en-scene and authenticity in Kunle Afolayan’s October 1.” AFRREV IJAH: An International Journal of Arts and Humanities, vol. 7, no. 3, 2018, pp. 41-54.
Bature-Uzor (2018) discusses Illusive realism and how filmmakers can achieve it via appropriate composition of film sequences and shots. The author states that the filming process constitutes mise-en-sense that aids in substantiating the narrative. Additionally, the study analyzes how mise-en-scene is applied through props, realistic sets, make-up, and costumes (Bature-Uzor, 41-44). The author emphasizes more on the stated elements to describe the role of narrative signification. Therefore, readers can rely on this article when investigating filming.
Fang, Jingxuan, and Wei Xiong. “Impact of digital technology and internet to film industry.” IOP Conference Series: Materials Science and Engineering, vol. 768, no. 7, 2020, p. 072112.
Fang et al. (2020) describe the application or impact of digital technology on the filming industry. From a personal perspective, this article is essential as it gives readers the concepts of adding film technology to film production. New technological equipment in the film industry includes; 3D technology, digital audio synthesis, and downloading. However, the authors focus more on the advantages of using technology without describing the associated challenges.
Littrell, Megan K., et al. “Exploring students’ engagement with place-based environmental challenges through filmmaking: A case study from the Lens on Climate Change program.” Journal of Geoscience Education, vol. 68, no. 1, 2019, pp. 80-93.
Littrell et al. (2019) explore vital content as it involves determining how students face challenges while filming. The sample participants in the article are a number of native American high school students who show strong connections to various places and their personal experiences. Littrell et al. (80-93) provide essential steps that they utilized when filming the experiences of individuals.
Robert, S., and T. Lisa. “(PDF) Film And/as Ethics.” ResearchGate, www.researchgate.net/publication/309530653_Film_andas_Ethics., pp.3-15
The article majorly focuses on the ethics of filming. The authors prove their credibility by referencing by building their works from past researchers. Typically, ethics in filming covers all the actions of directors, producers, and actors. Some of the most common ethics discussed include; the right to no harm, freedom of expression, and rights for privacy. Therefore, this article is essential for the readers.
Sabol, Ján. “Theatrical Mise-En-Scene In Film Form.” Slovenske divadlo /The Slovak Theatre, vol. 66, no. 3, 2018, pp. 288-295.
Sabol (2018) studies the concept of divergence between film and theatre. Additionally, the author gives the ontological differences in the coding of videos. Further, the article describes situations whereby users experience theatrical mimesis. Apart from the concept on the document, the document is biased as it provides shallow information concerning mise-en-scene.
Works Cited
Bature-Uzor, Nkechi A. “Mise-en-scene and authenticity in Kunle Afolayan’s October 1.” AFRREV IJAH: An International Journal of Arts and Humanities, vol. 7, no. 3, 2018, pp. 41-54.
Fang, Jingxuan, and Wei Xiong. “Impact of digital technology and internet to film industry.” IOP Conference Series: Materials Science and Engineering, vol. 768, no. 7, 2020, p. 072112.
Littrell, Megan K., et al. “Exploring students’ engagement with place-based environmental challenges through filmmaking: A case study from the Lens on Climate Change program.” Journal of Geoscience Education, vol. 68, no. 1, 2019, pp. 80-93.
Robert, S., and T. Lisa. “(PDF) Film And/as Ethics.” ResearchGate, www.researchgate.net/publication/309530653_Film_andas_Ethics.
Sabol, Ján. “Theatrical Mise-En-Scene In Film Form.” Slovenske divadlo /The Slovak Theatre, vol. 66, no. 3, 2018, pp. 288-295.
